Listening to Jon’s explanation makes a lot of sense. Fahrenheit just didn’t have the growth you would have hoped for. It shows a band still figuring out where to fit in but it's got its moments.īrett Deighton: I initially heard the first two albums in reverse order and that sounded right to me.
Standing bon jovi album how to#
Nick Crowe: There's bits of various songs which work but it's clunky! Desmond Child clearly helped with both this and how to write a chorus on Slippery When Wet! But I always liked Tokyo Road - which to me is the bridge between this album and the next - and Silent Night is a good one. Although the stand-out track is The Hardest Part Is The Night.
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Perhaps the production was a little light but I like the album.ĭaniel Jago Edmonds: I tend to prefer the more 80s Kiss-like hair metal/AOR tracks on the album like In And Out Of Love, Only Lonely and King Of The Mountain. Tokyo Road is great and Silent Night are two decent tracks. Without it I’m not sure we’d have had the mammoth Slippery When Wet. The word "underrated" can be overused at times, but not in this case - this is an underrated album. A good, solid album that deserves a spin once in a while. Philip Qvist: It certainly isn't the band's greatest album, but it is certainly not their worst either - not by a long shot. They refined their sound on Slippery and New Jersey (then dropped the ball after that IMO), but I reckon there are a handful of decent tunes on this one. Worth checking out for three or four songs, but overall, one for completists only." ( Midlands Metalheads)ĭaniel Jago Edmonds: I quite like this one and their debut. Still, the highlights showed that the group were becoming stronger composers, and under the right guidance, they would (and subsequently did) produce better material. "It’s a more uneven record than Bon Jovi, with some fantastic tracks ( In And Out Of Love, The Price Of Love, Always Run To You) undermined by some below par cuts ( Only Lonely, Silent Night, King Of The Mountain).
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But such tracks as The Price of Love and King of the Mountain contain a musical grace unusual in the metallic crowd." ( People) Giving the kids what they want seems to involve off-the-decibel-meter guitars and screamed choruses. Bon Jovi says that he wrote the material for this record based on talks he conducted with audiences around the world.
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"Their second album is a mostly well-executed, always merciless barrage of hard rock. But they seemed much more comfortable with the twittering ballad Silent Night or Price Of Love, where arena-ready riffing met smoke machine keys and vocal trills." ( AllMusic) They puffed out their chests for the groupie-groping, Mötley Crüe-style catcalls of In And Out Of Love and made sure King Of The Mountain rumbled with boys-night-out bravado. " 7800° Fahrenheit tempered its black-leather rock & roll with a rudimentary form of the sound that would make Bon Jovi superstars. We’ve put the record behind us, and moved on.” None of us want to live in that mental state ever again. Lance Quinn wasn’t the man for us, and that added to the feeling that we were going about it badly. "I also reckon we went for the wrong producer. And the strain told on the music we produced. “All of us were going through tough times on a personal level. “Everything about that second album was wrong,” says Jon Bon Jovi.
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After their self-titled, debut album in 1984 had put them firmly into the trench, everyone took it for granted that 1985’s 7800° Fahrenheit would take the guys over the top, and into the vanguard of platinum-selling bands. ZZ Top headlined, but such was Jovi’s growing appeal they were placed above Metallica on the bill.īut if the UK was slowly falling under the spell of Bon Jovi, the same wasn’t yet true of their home country. They returned the next year to play headline shows, and also to appear third on the bill at the annual Monsters Of Rock festival at Donington Park. They came over in 1984, opening for Kiss, and got a good reception all round. Bon Jovi had built a steady UK following, thanks to copious touring and hard work.